👁‍🗨 ABOUT OUT THEREINDEX ARCHIVE 🗂️ CASE STUDIES 🌱♻️ 🕳️ACCEPTABLE DIGITAL STALKING🔍 STAY IN TOUCH 💌                                                                                                                  
The curation is playful and subversive, and the artworks are self-aware.  A Most Absurd Guide was a 2022 group exhibition at UltraSuperNew Singapore with HelloPigu (Singapore), Krack! (Indonesia) and Soika Vomiter (Philippines), each bringing bizarre attitudes specific to their region’s culture.
We invited the artists to respond to our absurd times for a group exhibition. Krack! Studio devised a theme of Adakalanya Intelligence (A.I.), which precisely captures their understanding of the ‘Third World’ intelligence they encounter in their daily life in Indonesia. 
With construction noise barriers stretching from Bali Lane to Ophir Road, 17 Singapore-based street artists transformed a collective stretch of 230-metre walls over an eight week period. This project won a top special recognition in the Singapore Tourism Awards (2022).
Centre for Altered Togetherness www.cat.mamamagnet.org is a cyberspace journey through the illustrated worlds of Reza Hasni. Made in collaboration with interaction design studio Screensavers, sound designer Tengo La Firma and story universe writer Mama Magnet, it is best experienced on desktop.
By subjecting audiences to behaviours that commodify nature, Inner Like The OutAR realises our transactional relationship with nature. It is an interdisciplinary immersive experience that uses augmented reality, set design, sound and scent. Audiences participate using their smartphones, controlling and simulating various occurrences in nature such as growing mushrooms, changing colours of flowers and butterflies and ‘sending hearts’ to the forest. 
AliWALL Festival 2022: The Dreamer was organised by Arts House Limited, supported by One Kampong Gelam, curated and produced by Mama Magnet. A tall mural presented alongside immersive audio-visual experience Permission to Dream, the 3-day festival allowed audiences to dream freely, in both, intimate private and buzzy public settings.